Paths

A series of ceramic pots oozing dark matter. Produced for an exhibition of site-specific installations and sculpture exploring the theme of paths at The Biscuit Factory, Edinburgh

Curated by Nazia Mohammad

November 2015

​BEN MARTIN – CLARE FLATLEY – EMMA MACLEOD – HOLLY CLEMENT – NAZIA MOHAMMAD

Art installation of a large teardrop-shaped reflective surface connected to a beige, cone-shaped object on a concrete floor in an industrial space.
An art installation featuring a white ceramic pot lying on the floor with a black area painted underneath it, resembling a droplet or puddle, against a gray brick wall background.
An empty industrial-style room with concrete floors and walls, two large windows showing neighboring buildings, a metal pole in the center, a ceiling with exposed piping, and a partially open skylight with a white ceramic pot perched on the edge.
A white ceramic pot sitting on a ledge with black liquid dripping from it, inside a dimly lit industrial space with brick walls and large windowpanes
An industrial-style attic with a metal ceiling, a skylight, and a window on the brick wall. A white ceramic sculpture is on the metal beam, with liquid dripping from it. The room has exposed bricks, metal beams, and a ladder on the right side.
Empty industrial space with large windows, exposed metal beams, and a skylight roof, featuring a metal pole and a small light fixture on the floor.
A white ceramic pot standing on the edge metal beam, with melted black wax dripping down from the top edge of the case, inside a building with large windows.
An industrial-style room with large windows and a glass ceiling, featuring a white ceramic sculpture mounted on a metal beam and a circular object with a star in the center on the floor.
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